Star wars rogue one google drive movie#

Partly it was for Gareth to figure out narratively what he needed in order to tell a given bit of story, and of course, all of the rest of the departments used it to discuss and plan things out. вЂњIs there a location where we could shoot at least part of this, and what do we want to leave for visual effects? At this point there are negotiations that happen where you figure out whatвЂ™s the appropriate approach to take in realizing a given bit of imagery.вЂќДЄ fair bit of that decision-making process is based on previs, and Knoll explains that that there was вЂњa pretty healthy previs effort on the show. вЂњThen as we moved into production, thereвЂ™s a process of breaking down the shots and figuring out how much of this is going to be built as a set,вЂќ he explains. вЂњTheyвЂ™d write something and it would generate this really cool looking imagery,вЂќ says Knoll. Much of the preproduction concept art was being developed while the story was still being written. He has a big team of really talented artists and they got in and started exploring.вЂќ вЂњWhat does this imperial facility look like? What does K-2SO look like? WeвЂ™re going to see the Yavin Base more clearly, so how do we want to see that? There are wonderful bits of artwork.

вЂњHe started to put images to the story treatment,вЂќ says Knoll. He explained that once the story treatment had been developed, the design effort began with co-production designer Doug Chiang in the Lucasfilm art department. Knoll helped develop the story and also has an executive producer credit on the film, along with his traditional role as visual effects supervisor.

Star wars rogue one google drive movie#

вЂњWhen he announced his intent early on that he wanted to do half of the movie with handheld coverage, it seemed like that could be really exciting in the Star Wars universe.вЂќ вЂњRight from the beginning, Gareth wanted to make a war movie kind of in the mold of Saving Private Ryan, Black Hawk Down or Apocalypse Now,вЂќ Knoll recounts. Over the years, he has been nominated for six Oscars, winning one for Pirates of the Caribbean: Dead ManвЂ™s Chest (2006). Having been at ILM since the original Star Wars: Episode IV - A New Hope in 1977, Knoll had served as visual effects supervisor on several of the Star Wars films, including The Phantom Menace, Attack of the Clones and Revenge of the Sith. I thought at least IвЂ™d done the pitch so I wouldnвЂ™t always wonder вЂwhat if.вЂ™вЂќДЄ week later Knoll received an e-mail saying they were seriously thinking of putting his idea into production. I did about a seven-page treatment and went up to the office and pitched it to Kathy and Kiri Hart. вЂњIвЂ™d known Kathy for about 20 years,вЂќ he says, вЂњbut it was still quite a unique experience to go up to the office of the president of Lucasfilm and pitch a story idea. The Oscar-nominated VFX team includes visual effects supervisors John Knoll and Mohen Leo, along with animation supervisor Hal Hickel and special effects supervisor Neil Corbould.ДЄfter Disney acquired the Star Wars franchise from George Lucas for $4 billion in 2012, (along with facilities like Industrial Light & Magic, Skywalker Sound and Lucasfilm), producer and Lucasfilm president Kathleen Kennedy saw a huge opportunity to develop smaller, slightly grittier standalone films set in the Star Wars universe, while still continuing the ongoing saga of the Skywalker family.ДЇor more than 10 years, ILM chief creative officer and senior visual effects supervisor John Knoll had been harboring the idea of a film that shows us how the Rebels managed to steal the plans to the dreaded Death Star. The previous installment, Star Wars: The Force Awakens, managed to gross more than $2 billion following its launch in late 2015, proving that an entire generation raised on Star Wars, (and now, their children), are still eager for more.Дirected by Gareth Edwards, Rogue One has grossed over $1 billion worldwide, and been nominated for two Oscars вЂ“ best visual effects and best sound mixing вЂ“ along with seven VES award nominations and a host of other critic and guild award noms. When Rogue One: A Star Wars Story exploded onto the screen in December it was almost guaranteed to be a hit.